Judith Hamann is a cellist from Birraranga (Melbourne), Australia. Her performance practice stretches across various genres encompassing elements of improvised, contemporary classical, experimental and popular music. Currently, her work is focused on an examination of psycho-physical materials and manifestations of ‘shaking’, as well as expressions of immersion and saturation explored through durational and electroacoustic approaches to sound. Judith has worked with artists and ensembles including Oren Ambarchi, ELISION ensemble, Graham Lambkin, Alvin Lucier, Toshimaru Nakamura, The Necks, Áine O’Dwyer, Michael Pisaro, Ilan Volkov, Tashi Wada and La Monte Young. Judith holds a degree of Doctor of Musical Arts from UC San Diego.